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How My PLN Helped My Students Win

12/20/2013

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The last day of school before Holiday break is always a most exciting one. We usually have a host of activities for students to do as we celebrate the end of the calendar year and the promise of great things to come in the next. It is also one of my favorite times because it is the day the Scholastic Art Awards are announced for my region and I get to share with students which were selected and recognized by professionals in the field for Gold or Silver keys and Honorable Mentions. 

You see, the Scholastic Awards are unlike other programs out there. They are not a place where everyone gets a ribbon for just showing up. They are a competition where student work goes through a process of a blind jury and awarded based on skill, voice, and originality. The program also carries with it the prestige of past winners who have gone on to be movers and shakers in the industry (like Truman Capote (1932), Richard Avedon (1941), Andy Warhol (ca. 1945), Sylvia Plath (1947), Robert Redford (1954) and Zac Posen (1998)). 

So, it is kind of a big deal. 

I have submitted student work for the past 7 years and have been fortunate enough to spend each Friday before break sharing the exciting news of the selections with them. I feel like this year, though, I also have to include my PLN in the mix. Without their help, some of these entries would not have been possible. They helped push me as a teacher and spur ideas that inspired my students to go beyond the usual solutions and allow them to shine with award winning pieces. 

From Katherine Douglas' encouragement to put choice at the center of curriculum, the wacky and wonderful Photoshop ideas from the creative mind of Ian Sands, the captivating ways Tricia Fuglestad gets her kids to collaborate and tell stories with new media, to the traditional methods with a twist from Colleen Rose, there are countless ways these educators and many others through Facebook and Twitter have pushed me to push my students in new directions which has yielded award-winning results. 

I want to thank them for their help as I celebrate the winners from BCWMS. I hope they share in the success as much as we do when they look at the work below and find their influence: 

Gold Keys


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Copper Head, by Mackenzie Reid
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Self Splatter, by Natalie Poll
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Like a Prayer, by Natalie Poll
Life of a Fish, by Hallie Baker and Kiersten Woudstra

Silver Keys

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Looking over You, by Sara Thompson
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Mixed Portrait1 by Daniel Lee
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Walking Alone (still) by Mikayla James and Kylie Middleton (Film and Animation)

Honorable Mention

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The Zodiac Bowl, by Sara Fan
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Lydia Descended, by Anna Pavlak
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Tiled to Life, by Kaitlin Gunter
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Laser Surrealism, by Noah Gallagher
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Zentangle Explosion, by Kolin Herron
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Dream Big, by Krista Bartholomy
Rock, Paper, Scissors, by Cody Boogaart, Tyler Wall, and Tyler Toren
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options matter

12/17/2012

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Today was the announcement of the West Central Michigan Regional Scholastic Art and Writing winners. I have been fortunate to teach art for the past 9 years and have been participating in this competition for the last 6. Each year, I pour over student work and try to think like the jury will before selecting the best 20 to be judged in a variety of categories. 

This year, I was a little worried about how we would do. We received 19/20 last year and I thought there was little to no chance of topping it. And of course, I am probably the only one who even cares about doing that. For my students, they don't care about what the art program has done in the past (nor should they), they only care about what is happening now and what I am doing to help them learn, grow, and achieve. 

And although we did not get 19 awards like last year (I am not sure we will ever do that well again), I was more excited about what was earned than any previous year. It might be because we achieved the first American Vision Award for our middle school, or the fact that there were a couple students who won multiple awards, but I am probably most excited because the work that won was truly unique pieces created by my students and not handed down from me. 

In each case, the work is purely the point of view of the student who created it. I may have showed them a technique, or introduced an influencing artist or movement along the way, but ultimately the students are the ones making the choices for how and what they want to say with their work. This is what I have found the most exciting take away from this year's competition. 

I don't want to knock what other art teachers do (because I do this, too), but I hope to push myself beyond a one size fits all product at the end and allow more choice and student voice in the process. I am trying to do that more and more with each lesson and not to the expense of Art History or technique. 

Just see for yourself by checking out our 2013 winners below: 
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Tommy Sadler, My Many Faces, Gold Key and American Vision
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Gold Keys: Jazmine Hamm, Krista Bartholomy, Kennedy VanLierop (2), Thomas Lake
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Silver Keys: Jazmine Hamm, Carol Zarate, Maria Cotts, Reed Jelinski
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Honorable Mention: Lauren Elliott
How do you handle choice in your classroom? Do you participate in the Art and Writing Awards? Post any links to student winners or lessons that relate. 
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No Moldy Corners

12/1/2012

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When I was in college, I used to get pretty excited about the juried exhibition that occurred at the end of each semester. I am a competitive person (mostly with myself) and I was always striving to get as many works in as possible.

It seemed, though, each time the professor selected work for jury, I ended up disappointed. Not because I missed out on having work chosen for the show, but because it seemed inevitable they would always choose the piece I disliked the most. The moldy corner painting from my painting class, the misshapen ellipses from my drawing class, the silly plant assignment from my color course... I could go on and on with how there were other, more noteworthy works in my portfolio that could or should have been selected, but there is no changing the past.

That is why when it comes to displaying student work, I will not select pieces. I leave it up to the artists. If they ask my opinion, I try to stay out of it. I remind them that they are the artist and have to make that choice. The students are the ones showing off their works to an audience and I want them to feel happy about what is selected for display. I am also interested in what they believe to be their best work. It helps me learn something about their aesthetic and what trends occur with the projects I teach.

I am not sure if it is the best way to get work ready for display, but I think it offers my students the option if having a say in how they are represented. I think that is always a good thing. You can check out student work at The Van Singel Fine Arts Center now until the 21st.

How do you go about getting work ready for shows and exhibitions? Do you let students choose, or do you pick for them?



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    Janine Campbell

    Visual Arts Teacher at Byron Center West Middle School. Check out their classroom blog.

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